La voyante, 45,71x26,46 cm, 2013
The suburban housing estates (in French ‘la cité’) are
always a contentious issue for the society. Whereas they are involved in many
discussions, the situation does not seem to really change and on the contrary
appears to feed many clichés on some populations, not helping their proper
integration. Indeed, this is the same stereotypes we see and hear again and
again on the media, with an over-representation of the same anecdotes in all
politics speeches, fantasized on documentaries as well as television reports.
For all these reasons, the cité, especially at night, is evoking a
troubling/disturbing imaginary.
However, this picture can be positively shade with the use
of photography to reveal a divergent look. This is an excellent medium to
capture things unsaid and the anxiety underlying within a scene, to symbolize
some situations and to translate a whole event or era in a single moment.
The black and white and sometimes colorful pictures of
Dramstars denote an interesting detachment of the autor from cité’s scenes but
at the same time keep a strong relationship between identity and memory. These photographs were taken with a
multi-disciplinary approach, melting up analytics, documentary and art to
better question the cité’s stereotypes: they are illustrating the profuse life
of the suburbs at day light just as well as the fixed emptiness of the streets
at night. Alternatly striking, touching or intriguing, these photografs offer a unique eye on the cité.
Banlieue.... En caisse, 45,86x25,08 cm, 2013
Why did you chose photography as a support for your art ?
Photography has a powerful ascendant on people when it deals
with transmission. With time going on and first-hand technology becoming more
and more wide-spread (even on your mobile phone !), I privilege the pleasure of
capturing moments compared to the desire of really transfering a message. I
have always been keen on photography, however I professionalized thanks to
relatives who bought me a decent camera in 2011. With the goal to progress, I
looked for professional critics and then showed my work to some cultural
centers. I participate among others projects to the creation of with other
professional photographers: la femme plurielle, à tort et à corps (the plural
forms of women, wrongly and physically).
Asseyons nous..., 40,96x30,72 cm, 2012
What are the main technics you like working with ?
I am still enhancing my work with film cameras for day-light
pictures, so generally, I use digital camera, especially for night shooting. I
mainly compose with the model long-pause and movement: this helps creating this
fuzzy effect and perception of movement, in opposition to the staid aspect of
concrete and iron. Finally, I like playing with different exposures to obtain
sepia, bluish or old-fashioned results.
Désolation, 46,03x30,79 cm, 2014
CDPDV, 44,40x27,28 cm, 2013
Banlieue la chapelle Paris I, 39,98x21,38 cm, 2012
How did come up with snapping the cité?
I want to show the world I know. I was born in a cité and I know
most of the people on my photographs. I want to highlight the multiple
identities of the suburbs. By showing real evidence/testimony of the cité’s
life and by re-humanizing people that are living in, I want to stop with the
frighten aspect of the suburbs which is to me a skewed reflect but still in
most people mind. Pictures allow to create a sociologic discussion via
impacting visuals and to break stereotypes by presenting moments that are
simply unique.
Sans titre 5, 46,08x30,72 cm, 2013
Dramstars’ photographic work, both artistic and
social-oriented, proposes a personal but powerful vision of the routine rhythm
in the cité. As it is appreciated from the inside, it offers a real sociologic
and aesthetic interest. That’s why I strongly advise the reader to take a look
at the artist’s page and discover more about this work.
http://ladramstars.wordpress.com/
http://www.ladramstars.com/
https://m.facebook.com/LoeilFlingueParLaDramstars
http://ladramstars.wordpress.com/
http://www.ladramstars.com/
https://m.facebook.com/LoeilFlingueParLaDramstars
Aucun commentaire :
Enregistrer un commentaire